News | weblog

read more ...

First review on new Debussy/Stravinsky CD!

The first review on Ralph’s newest release on Naxos has been posted by reviewer Jan de Kruijff for the largest Dutch online database for classical music, Musicalifeiten. The very positive article uses superlatives! ‘Ralph seems to be the first who took on [The Rite of Spring in Leyetchkiss’ solo version) with amazing success, and who fulfills the high expectations. What a virtuoso he is. […] Both transcriptions are of the original sort, and are, from a quality point of view, and surely when it comes to the interpretations, a little miracle.’

Newest CD available now: Debussy and Stravinsky!

Ralph’s newest CD has been released: unique, seldomly performed nor recorded piano solo versions of Debussy’s famous orchestral work La Mer (arranged by his friend Lucien Garban), and Stravinsky’s Rite of Spring, transcribed by Vladimir Leyetchkiss! The CD is published by Naxos, with whom Ralph has a longstanding exclusive recording contract since already 15 years, and has catalogue number 8.573576. The CD is available through physical as well as through many online shops.

Boulez performances in Paris, New York and Rotterdam determined

The exact performances by Ralph van Raat of Pierre Boulez’ Prélude, Toccata et Scherzo (1944) have been determined: the world première will take place at Cité de la Musique in Paris (September 8, 2018), in a solo recital together with additional piano works by Boulez. This will be Ralph’s debut recital at the Philharmonie de Paris. Subsequently, the American première will take place in Carnegie Hall (October 28, 2018) in New York during Ralph’s debut recital there (together with works by Alkan, Debussy and Andriessen); and the Dutch première will be at De Doelen, Rotterdam (November 25, 2018) again in a solo recital with additional piano works by Boulez.


Audiences’ opinion in the newspaper Het Parool

Yesterday, a letter from an audience member of Ralph’s Messiaen Vingt Regards recital (last Friday in Amsterdam’s Orgelpark) was published on the opinion page of the newspaper Het Parool. The author, Marco Naarden, writes about ‘a matchless performance of Messiaen’s Vingt Regards by our own Ralph van Raat […] We may call ourselves lucky to have such a marvellous pianist and genre-specialist in The Netherlands, who plays this work since a number of years, as a tradition, during the Advent. […] Long live the Orgelpark who dares to program this, and long live Ralph van Raat.’ Ralph feels very honored and humbled by such support for this repertoire; after all, being a musician would not be possible without encouragement from the public!